Showing posts with label Metallics. Show all posts
Showing posts with label Metallics. Show all posts

Sunday, December 23, 2018

❤🎄 A Very Merry Christmas! 🎄❤


❤ The Greatest Gift is Love ❤
My Variation of a Lizzie*Kate design from the
Just Cross Stitch 2001 Christmas Ornament Special

(There's a lovely finish of the design by Anne on Flickr here, closer to the original)

Hope you're getting into the Christmas Spirit! It's been a little hard for my family this year, as it's our second Christmas without my beloved Grandpa. He died on Christmas Day 2016, and last year was a blur - I have no idea how we got through it to be honest. This year his loss is always in our thoughts, and the grief hits hard at the strangest times. So I stitched this little ornament as reminder to us all that it's not the Holiday hustle and bustle that matters, but the time we spend together and the memories that we make 😊


I really enjoyed working on this, and it stitched up quickly! My first idea was to stitch everything with beads, but the lettering looked too wobbly, since I was using inexpensive silver-lined seed beads that have a pretty sparkle but unfortunately aren't a regular size. So I settled for beading the star and the border, which I turned into little red flowers with gold centers. The lettering is in metallic floss, for some extra sparkle ✨


In keeping with the sparkle, I found this beautiful glittered gold fabric for the back! It is so lovely, especially in the Christmas lights - it looks like it's sprinkled with real gold dust 💛 Unfortunately I had trouble capturing that in the photo.

And I used some of my favourite cording, a red-gold-green tinsel cording I found at Michaels a few years ago (and really wish I'd bought more of!):


It's a little challenging to attach, but I've found that sewing through the trim with invisible thread does the trick. And the end result is fantastically sparkly! I tried to capture all that pretty glitter, and this is the closest I could get (sorry it's a bit dark):


You can see a little bit of that gorgeous silver-lined seed bead shine on the star ⭐

2018 has been an interesting stitchy year for me! Although I haven't been able to do nearly as much with the blog as I'd hoped, I joined Instagram and have greatly enjoyed the huge stitchy community over there. I was awed and incredibly thankful for the support my Joyful Jester entry to the SFSNAD Stitch At Home Challenge brought 🤗 And I've been having a ton of fun experimenting with hand embroidery.

Hopefully 2019 will bring more stitchy time, for all of us! 😄


Best Wishes for A Very Happy Holidays, and a Stitchtacular New Year!

Monday, August 13, 2018

The Joys of Spontaneous Stitching!!!

Please click on any photo to view it larger

The Joyful Jester
Felt on Linen with Embellishments

I have an exciting project to share today! At the end of June, I discovered that The San Francisco School of Needlework & Design (SFSNAD) was hosting a Stitch At Home Challenge, free to anyone who wanted to enter and open Internationally! If you missed this challenge, worry not, for they will be offering more in the future 😊

Each challenge has a theme, and the theme for this round was Burlesque. Admittedly, at first, I wasn't all that interested as Burlesque brings to mind dancing girls with feather fans at best. However, when I looked through the Inspiration blog, I realized that the SFSNAD interpretation was much broader. As the blog says, in part:

"This Stitch-at-Home Challenge is intended to pull out the whimsical, the subversive, and the exaggerated parts of ourselves and our world. Throughout time, people have been responding to experiences that bump up against their sensibilities, that provoke a feeling of ridiculousness, frustration, or celebration. How do we reframe, exaggerate, or explode these feelings? Where do we find outrageous joy?"

I don't know if it's outrageous or not, but personally I find a great joy in stitching, which far surpasses the simple act of pulling a threaded needle through fabric. It is relaxing, absorbing, fascinating and endlessly surprising, and I wanted to capture some of that happiness in my project 😄 I wanted something colourful and cheerful 🎨🌈!

This image of Harlequin statuettes from the blog caught my eye:


Curious, I did a bit of Googling, and I found these delightful Harlequin illustrations from the Italian Commedia Dell'Arte, which according to the Metropolitan Museum, was " a theatrical form characterized by improvised dialogue and a cast of colorful stock characters that emerged in northern Italy in the fifteenth century and rapidly gained popularity throughout Europe." I loved the exuberant feathered costumes!


And those lead me to modern Venice Carnivale masks, which are bright and colourful:


Naturally, I wanted to make a wearable mask of my own! Something extravagant, with peacock feathers and lots of glittery bits. But as it is too early here for Hallowe'en I couldn't find a basic domino mask to use as a base and I didn't think felt would be stiff enough. I have always loved the figure of a Jester, and the idea of a merry joker, and so I decided to echo the outlandish cheer of the Harlequin costumes in my Jester's Cap.

Every challenge participant received a Kreinik Bag O' Bits to use in their stitching, courtesy of Kreinik, and I was so excited to finally be able to try out their metallic braids! I have been fortunate enough to inherit some stash of their Blending Filaments from my Stitchy Guru Mother, and while I love the shine of those, they are very fragile and need to be combined with a "carrier thread", normally some strands of DMC floss.


My bag had a good mix of colours. Most were short strands and not useable for any amount of stitching but there was a wonderful variety of textures and it was a great introduction to the wide range of products Kreinik manufacturers. It has definitely piqued my interest! There were three short two-inch lengths of the prettiest silver holographic flat ribbon that shone so brightly, and I'm going to search for that thread!


I had a lot of Big Ideas, but in the end I found a simple outline pattern I liked, a heraldic Jester's Cap from the Mistholme Pictorial Dictionary of Heraldy (which is well worth a browse if you're interested in old crests and the way they were designed):


And then I just went to town! I pulled out my collection of felt, and my Magical Tin of Embellishments. What's really interesting is that as long as I can remember, my Stitchy Guru Mother has keep a wonderful box of trimmings which comes out only for really special projects - Hallowe'en costumes, Christmas ornaments, dresses for special events - and has all kinds of pretty trims, crystals, rhinestones and sequins. I was thrilled to discover that I've FINALLY accumulated enough pretties to have one of my own, a hexagonal Quality Street chocolate tin full to the brim with sparkle and glitter ❤💎✨

There was no real rhyme or reason to the design, it was truly Spontaneous Stitching! I printed off the line drawing and cut it into four pattern pieces - three horns and the band. Then I cut those pieces out of felt (green, pink, yellow and purple). Then I spent an incredibly happy sunlit afternoon absorbed in playing with sparklies, spreading my supplies out on my Grandma's kitchen table and playing with the crystals until I got a design I liked. I glued the acrylic rhinestones on with Aleene's Fabric Fusion Glue.

Here's a Before-and-After shot, which shows the difference the trim makes! The pieced pattern is on the left, embellished with glued-on rhinestones, Kreinik threads, sequins and sead beads, and the fully embellished Cap is on the right, with the black-and-silver braid, silver picot trim, ruched ribbon band and jingle bells added:


Everything except the rhinestones was hand-stitched on, using Invisible Thread (Coats Transparent). This is very fine, and is excellent for adding seed beads!

I knew I wanted to echo the diamonds of the traditional Harlequin costume, so on the right side I glued square rhinestones at an angle to create diamonds of pink, red and purple. I outlined these in a turquoise Kreinik braid (I think it's a #8 braid) and added large silver e-beads. The center section has a Trellis of Couched iridescent Kreinik ribbon with layered sequin filling and the left horn has rhinestone "Polka Dots", with scattered silver bugle beads and Stem Stitched Kreinik braid, in a pink/purple mix.


The trims I added took the most time to sew on, but they added a lot of impact:


The local quilt store was once a craft store and they have a very small stock of odds and ends. That is where I found this fabulous silver-and-black braid, which is actually meant for Plastic Canvas. I outlined all three of the horns of the hat in this thread, Couching it to follow the shape of the pattern. I love it, and to me it feels Harlequin-like 😊

The background fabric, the pretty peacock blue, is a linen I found there too!

The other four trims are silver braids made by Tahl. After some auditioning, I went with the one at the top left, a pretty picot braid with diamond-patterned edges. I Couched this around the bottom of the hat band, and then I filled each little picot with a silver-lined sparkly seed bead in an alternating pattern of turquoise, yellow and red. Although it's a very small detail, the beads catch the light wonderfully in real life!

Here's my attempt to capture the sparkle, in the sunshine:


My favourite part is probably the rainbow Ruched Ribbon at the top of the band:


It took me several tries and many stabbed fingers, but eventually I - more or less - got the trick of ruching the ribbon, which is multi-coloured double-sided satin by Offrey. I used a simple zig-zag design shown in the tutorial for a flower on Nikki, In Stitches.

To make sure my stitches didn't show, I used Invisible Thread, which made the process slow going. The stitches vanished against the variegated colours when the ruching was complete BUT I couldn't clearly see the stitches as I was making them, which made it difficult to keep them even. I ended up marking dots along the sides for spacing with a purple Disappearing Marker. I would suggest practicing on a plain colour ribbon with matching sewing thread first! It is a great technique I'd like to try again.


The three jingle bells are ones I've saved from the collars of the Lindt Easter Bunnies! They are so pretty, and I always hoped to find a use for them. They sound very nice when rung too 😁 The Bunnies have become a family tradition in recent years. The bells would look lovely on Christmas ornaments too - any excuse to buy more chocolate 🍫


When I was a little kid, my Stitchy Guru Mother created a marvelous distraction device called The Glue Box. It was a plastic container filled to the brim with construction paper, crayons, markers, stickers, glitter glue, pipe-cleaners, pom-poms, popsicle sticks, beads and other cool crafty stuff. Many were the hours I passed in a creative blur, making one genius - to my mind, I'm sure - artwork after another to proudly be given to relatives as gifts or displayed on the fridge until the next "masterpiece" was concocted.

There was spontaneity in it, and joy. Truly outrageous, overwhelming, all-encompassing joy! As an adult, I don't often give myself free reign to just jump in and experiment with something, and I'm sure I'm not the only one. This was a challenge for me in many ways, but most importantly to my confidence. Especially early on, I nearly gave up on my Jester's Cap for good several times - I thought it was too juvenile, too hokey, too kitschy, too amateurish. How, I wondered, could I possibly submit this to the SFSNAD?

But as I persevered, something amazing happened! I remembered The Glue Box and the happiness of making something just for the sake of making something. To my surprise, I found a measure of real joy, and in these difficult days of loss and family illness, it is all the rarer. It's a true treasure to find, and I am extremely grateful. In the future, I hope to do some more Spontaneous Stitching, and I highly recommend trying it!

Thanks very much to The San Francisco School of Needlework & Design (SFSNAD) and Kreinik for hosting the Stitch At Home Challenge and for opening it up to International stitchers like myself! I really enjoyed trying new techniques (the felt applique and ribbon ruching), new materials (Kreinik metallic threads) and expanding my stitchy horizons!


Helpful Articles About Kreinik Metallic Threads:

💠 From the Kreinik blog: How to Read a Kreinik Thread Label
💠 Nordic Needle's Stitching Guide on Kreinik Metallics has a brief overview of the history of metallic threads and the Kreinik Company, as well as stitched samples;
💠 Peacock & Fig has a wonderful article that demonstrates the difference between the Blending Filament and the Braids in great stitched samples;
💠 The Cross Stitch Review Blog has very detailed overview of the Blending Filament;
💠 Ancora Crafts has an in-depth Glow In The Dark Thread comparison, in which most of the contenders are Kreinik, as does the Freudian Stitch blog.

Have you ever tried indulging your whims and Spontaneously Stitching? Would you?!

Friday, March 25, 2016

Gifted Gorgeousness: Floral Blackwork



Happy Easter to you all!!! Best Wishes for a Wonderful Spring :) The days here are getting longer, and we've had a lot of lovely sunny afternoons lately where the light has been bright and perfect for stitching so I've been busy with my needle lately! This has been a welcome surprise, since I'd been in a bit of a slump since Christmas ;) 

Speaking of which, for this post - my first for Jo's great Gifted Gorgeousness SAL for 2016 (if you'd like to join, you can do what I've done and just jump in whenever you want, isn't that wonderful?!) - we're actually going back in time to the Holidays.

It all started when Santa kindly gifted me with the December 2015 issue of JCS...


...and I promptly fell in love with Elizabeth Almond's Blackwork feature, a quartet called "Christmas Treasures", which you can see here:


I choose the design on the far left-hand side, which is a bit of a black sheep in the family as it is lacking some stitch features that the other three Treasures share.

Here's a closer view of the center square (without the floral border):


I just love the very center section with the geometric flowers within octagons! The original designs were charted in red with gold metallic and gold beads, which is a beautiful and classic combination for Christmas, but I wanted something that I could hang up all year around. So I chose a deep burgundy, DMC 3685, for my floss and a beautiful dusky pink -DMC Light Effects E316 - for my metallic:


And I'm very happy with the way it turned out, even though I made a lot of silly counting mistakes and was very frustrated with it for a while :)

Another silly thing - I had left all my stitchy supplies at home because I didn't think I'd get the time to stitch while we were visiting family! Thankfully, due to gifts of needles and thimbles from my Stitchy Guru Mother (who is truly awesome at finding stocking stuffers) and some money from my Groovy Grandparents that I spent in part to buy the fabric and hoop at a local quilt shop, I was able to kit myself out! I actually finished the entire center section shortly after New Year's Day.


And then I hit the Floral Border. That was actually what drew me to the designs in the first place, but while I was stitching one side I realized that the center of the floral sprigs did not align with the points of the center diamond. They were offset by one stitch, and although they were mirrored in the border, this mismatch was all I could see when I looked at the piece. It created a tension that constantly drew the eye, which may have been the the designer's intent, but it wasn't working for me.


So, after a lot of deliberation and a few tries at recharting the sprigs, I decided to give it up and ripped out what I had stitched. And then I took the geometric flower motif from the center square and drew up the border that I used, and although I wasn't sure about it while I was stitching, it ended up being my favourite part of the project!

Here is a close-up of the geometric flower motif from the center:


And here is a close-up of the lovely eight-petal flower that I used in the corners:


I really like the way the center pulled into an eyelet! The fabric is a white 28-count Evenweave, by a brand called Unique that used to manufacture a lot of sewing notions here in Canada (which has largely been taken over by H.A. Kidd). It is lovely to work with, but unfortunately the packaging was older and I suspect that it is no longer available. It came in a flat pack, with a blue insert.

One of the fun things about small independant quilt and fabric stores is that you never know what you might find, but often - as is the case with the store I visited - some of the stock is usually older and may not be in production anymore.

The other changes I made were to not add the beads (gasp! shock!) - I know that's unusual for me, but I didn't have any that matched either thread and I didn't want to add a third colour. But I made up for it by adding lots of the metallic, using it a little differently than the pattern suggested. 


My favourite section to stitch using the metallic thread was the Algerian Eye/Star Stitch checkerboard you can see in this close-up of the center section; it's a super simple fill treatment but the stitch really shows up the shine on the metallic, and this is a great idea that could be adapted to other projects. I tried to show up a bit of that fabulous sparkle in this photo, but it's so much prettier in real life:


And there you have it! I'm not entirely sure how I'm going to final-finish this off yet. I was originally thinking of following the project finishing instructions for the sort of overlarge flatfold ornament with the corded trim, but I may do something different. It's a little bigger than I expected; I started with a 6" Hoopla and had to move up to the 8" you see in the photos.

I also made a little mistake at the beginning - I started working it in hand, because I have always heard that it's harder to get hoop marks out of Evenweave than it is with Aida. But because the center has all these long stitches, the fabric distorted no matter how careful I was, so I bought the hoop and was very glad I did so. When I do get around to finishing it, I think lacing it over mat board will take out any remaining uneveness (at least I hope so!) - and the hoop marks weren't bad at all.

Also, a note to anyone thinking of stitching this design: although most of the stitching is all done with one strand of floss, you use a LOT of it. The only exception is the two mini-borders of cross-stitch, which are done with two strands (and which I chose to outline with added backstitch, using 1 strand, to make the lines more solid).

I only had a few tiny ends left of the burgundy - although I did lose quite a bit of thread ripping out the original floral border - and about 1/3 of the metallic skein left.

Thanks very much for reading! And be sure to hop on over to Jo's annual Easter Blog Hop - follow along at the stops to see lots of lovely Spring-ish stitching and collect the letters for the special mystery phrase! And have a Very Happy Easter :)

Blog News: Due to some Reader Requests (a BIG thank you to those who took the time to write to me with this suggestion), I've added the "Follow by E-mail" function to the blog, over in my Sidebar. If you try it out and have any problems, please let me know!