Showing posts with label Embellishment. Show all posts
Showing posts with label Embellishment. Show all posts
Sunday, April 12, 2020
Flashback: Easy Felt Easter Ornaments
Happy Easter, Happy Spring, Happy Happy Everything! This year, due to the pandemic, I think Easter is going to look very different for everyone, but if you have some extra time this afternoon and would like to make something for the holiday, I have an older tutorial (from 2015) that you might enjoy for Fun Felt Easter Egg ornaments!
They're really simple - just pull out your stash of felt and your embellishment tin (or wherever you keep your sparkly bits!) and go to town with your imagination 😆
This egg with the ribbon embroidery - which was surprisingly simple! - is probably my favourite 🌸 The beaded ruching was really fun to do and it turned out to be really pretty. It's a technique I'm definitely going to try again in a future project. I think it would make a great edging for an ornament too!
Wherever you are and whatever you're doing this year, I wish you a Spring filled with Sunshine, Flowers and Small Joys Everywhere 💕 And lots of Creativity too! 🎨
Sunday, December 23, 2018
❤🎄 A Very Merry Christmas! 🎄❤
❤ The Greatest Gift is Love ❤
My Variation of a Lizzie*Kate design from the
Just Cross Stitch 2001 Christmas Ornament Special
My Variation of a Lizzie*Kate design from the
Just Cross Stitch 2001 Christmas Ornament Special
(There's a lovely finish of the design by Anne on Flickr here, closer to the original)
Hope you're getting into the Christmas Spirit! It's been a little hard for my family this year, as it's our second Christmas without my beloved Grandpa. He died on Christmas Day 2016, and last year was a blur - I have no idea how we got through it to be honest. This year his loss is always in our thoughts, and the grief hits hard at the strangest times. So I stitched this little ornament as reminder to us all that it's not the Holiday hustle and bustle that matters, but the time we spend together and the memories that we make 😊
I really enjoyed working on this, and it stitched up quickly! My first idea was to stitch everything with beads, but the lettering looked too wobbly, since I was using inexpensive silver-lined seed beads that have a pretty sparkle but unfortunately aren't a regular size. So I settled for beading the star and the border, which I turned into little red flowers with gold centers. The lettering is in metallic floss, for some extra sparkle ✨
In keeping with the sparkle, I found this beautiful glittered gold fabric for the back! It is so lovely, especially in the Christmas lights - it looks like it's sprinkled with real gold dust 💛 Unfortunately I had trouble capturing that in the photo.
And I used some of my favourite cording, a red-gold-green tinsel cording I found at Michaels a few years ago (and really wish I'd bought more of!):
It's a little challenging to attach, but I've found that sewing through the trim with invisible thread does the trick. And the end result is fantastically sparkly! I tried to capture all that pretty glitter, and this is the closest I could get (sorry it's a bit dark):
You can see a little bit of that gorgeous silver-lined seed bead shine on the star ⭐
2018 has been an interesting stitchy year for me! Although I haven't been able to do nearly as much with the blog as I'd hoped, I joined Instagram and have greatly enjoyed the huge stitchy community over there. I was awed and incredibly thankful for the support my Joyful Jester entry to the SFSNAD Stitch At Home Challenge brought 🤗 And I've been having a ton of fun experimenting with hand embroidery.
Hopefully 2019 will bring more stitchy time, for all of us! 😄
Best Wishes for A Very Happy Holidays, and a Stitchtacular New Year!
Monday, August 13, 2018
The Joys of Spontaneous Stitching!!!
Please click on any photo to view it larger
The Joyful Jester
Felt on Linen with Embellishments
Featuring Kreinik Threads (Bag O' Bits)
I have an exciting project to share today! At the end of June, I discovered that The San Francisco School of Needlework & Design (SFSNAD) was hosting a Stitch At Home Challenge, free to anyone who wanted to enter and open Internationally! If you missed this challenge, worry not, for they will be offering more in the future 😊
Each challenge has a theme, and the theme for this round was Burlesque. Admittedly, at first, I wasn't all that interested as Burlesque brings to mind dancing girls with feather fans at best. However, when I looked through the Inspiration blog, I realized that the SFSNAD interpretation was much broader. As the blog says, in part:
"This Stitch-at-Home Challenge is intended to pull out the whimsical, the subversive, and the exaggerated parts of ourselves and our world. Throughout time, people have been responding to experiences that bump up against their sensibilities, that provoke a feeling of ridiculousness, frustration, or celebration. How do we reframe, exaggerate, or explode these feelings? Where do we find outrageous joy?"
I don't know if it's outrageous or not, but personally I find a great joy in stitching, which far surpasses the simple act of pulling a threaded needle through fabric. It is relaxing, absorbing, fascinating and endlessly surprising, and I wanted to capture some of that happiness in my project 😄 I wanted something colourful and cheerful 🎨🌈!
This image of Harlequin statuettes from the blog caught my eye:
Curious, I did a bit of Googling, and I found these delightful Harlequin illustrations from the Italian Commedia Dell'Arte, which according to the Metropolitan Museum, was " a theatrical form characterized by improvised dialogue and a cast of colorful stock characters that emerged in northern Italy in the fifteenth century and rapidly gained popularity throughout Europe." I loved the exuberant feathered costumes!
And those lead me to modern Venice Carnivale masks, which are bright and colourful:
Naturally, I wanted to make a wearable mask of my own! Something extravagant, with peacock feathers and lots of glittery bits. But as it is too early here for Hallowe'en I couldn't find a basic domino mask to use as a base and I didn't think felt would be stiff enough. I have always loved the figure of a Jester, and the idea of a merry joker, and so I decided to echo the outlandish cheer of the Harlequin costumes in my Jester's Cap.
Every challenge participant received a Kreinik Bag O' Bits to use in their stitching, courtesy of Kreinik, and I was so excited to finally be able to try out their metallic braids! I have been fortunate enough to inherit some stash of their Blending Filaments from my Stitchy Guru Mother, and while I love the shine of those, they are very fragile and need to be combined with a "carrier thread", normally some strands of DMC floss.
My bag had a good mix of colours. Most were short strands and not useable for any amount of stitching but there was a wonderful variety of textures and it was a great introduction to the wide range of products Kreinik manufacturers. It has definitely piqued my interest! There were three short two-inch lengths of the prettiest silver holographic flat ribbon that shone so brightly, and I'm going to search for that thread!
I had a lot of Big Ideas, but in the end I found a simple outline pattern I liked, a heraldic Jester's Cap from the Mistholme Pictorial Dictionary of Heraldy (which is well worth a browse if you're interested in old crests and the way they were designed):
And then I just went to town! I pulled out my collection of felt, and my Magical Tin of Embellishments. What's really interesting is that as long as I can remember, my Stitchy Guru Mother has keep a wonderful box of trimmings which comes out only for really special projects - Hallowe'en costumes, Christmas ornaments, dresses for special events - and has all kinds of pretty trims, crystals, rhinestones and sequins. I was thrilled to discover that I've FINALLY accumulated enough pretties to have one of my own, a hexagonal Quality Street chocolate tin full to the brim with sparkle and glitter ❤💎✨
There was no real rhyme or reason to the design, it was truly Spontaneous Stitching! I printed off the line drawing and cut it into four pattern pieces - three horns and the band. Then I cut those pieces out of felt (green, pink, yellow and purple). Then I spent an incredibly happy sunlit afternoon absorbed in playing with sparklies, spreading my supplies out on my Grandma's kitchen table and playing with the crystals until I got a design I liked. I glued the acrylic rhinestones on with Aleene's Fabric Fusion Glue.
Here's a Before-and-After shot, which shows the difference the trim makes! The pieced pattern is on the left, embellished with glued-on rhinestones, Kreinik threads, sequins and sead beads, and the fully embellished Cap is on the right, with the black-and-silver braid, silver picot trim, ruched ribbon band and jingle bells added:
Everything except the rhinestones was hand-stitched on, using Invisible Thread (Coats Transparent). This is very fine, and is excellent for adding seed beads!
I knew I wanted to echo the diamonds of the traditional Harlequin costume, so on the right side I glued square rhinestones at an angle to create diamonds of pink, red and purple. I outlined these in a turquoise Kreinik braid (I think it's a #8 braid) and added large silver e-beads. The center section has a Trellis of Couched iridescent Kreinik ribbon with layered sequin filling and the left horn has rhinestone "Polka Dots", with scattered silver bugle beads and Stem Stitched Kreinik braid, in a pink/purple mix.
The trims I added took the most time to sew on, but they added a lot of impact:
The local quilt store was once a craft store and they have a very small stock of odds and ends. That is where I found this fabulous silver-and-black braid, which is actually meant for Plastic Canvas. I outlined all three of the horns of the hat in this thread, Couching it to follow the shape of the pattern. I love it, and to me it feels Harlequin-like 😊
The background fabric, the pretty peacock blue, is a linen I found there too!
The other four trims are silver braids made by Tahl. After some auditioning, I went with the one at the top left, a pretty picot braid with diamond-patterned edges. I Couched this around the bottom of the hat band, and then I filled each little picot with a silver-lined sparkly seed bead in an alternating pattern of turquoise, yellow and red. Although it's a very small detail, the beads catch the light wonderfully in real life!
Here's my attempt to capture the sparkle, in the sunshine:
My favourite part is probably the rainbow Ruched Ribbon at the top of the band:
It took me several tries and many stabbed fingers, but eventually I - more or less - got the trick of ruching the ribbon, which is multi-coloured double-sided satin by Offrey. I used a simple zig-zag design shown in the tutorial for a flower on Nikki, In Stitches.
To make sure my stitches didn't show, I used Invisible Thread, which made the process slow going. The stitches vanished against the variegated colours when the ruching was complete BUT I couldn't clearly see the stitches as I was making them, which made it difficult to keep them even. I ended up marking dots along the sides for spacing with a purple Disappearing Marker. I would suggest practicing on a plain colour ribbon with matching sewing thread first! It is a great technique I'd like to try again.
The three jingle bells are ones I've saved from the collars of the Lindt Easter Bunnies! They are so pretty, and I always hoped to find a use for them. They sound very nice when rung too 😁 The Bunnies have become a family tradition in recent years. The bells would look lovely on Christmas ornaments too - any excuse to buy more chocolate 🍫
When I was a little kid, my Stitchy Guru Mother created a marvelous distraction device called The Glue Box. It was a plastic container filled to the brim with construction paper, crayons, markers, stickers, glitter glue, pipe-cleaners, pom-poms, popsicle sticks, beads and other cool crafty stuff. Many were the hours I passed in a creative blur, making one genius - to my mind, I'm sure - artwork after another to proudly be given to relatives as gifts or displayed on the fridge until the next "masterpiece" was concocted.
There was spontaneity in it, and joy. Truly outrageous, overwhelming, all-encompassing joy! As an adult, I don't often give myself free reign to just jump in and experiment with something, and I'm sure I'm not the only one. This was a challenge for me in many ways, but most importantly to my confidence. Especially early on, I nearly gave up on my Jester's Cap for good several times - I thought it was too juvenile, too hokey, too kitschy, too amateurish. How, I wondered, could I possibly submit this to the SFSNAD?
But as I persevered, something amazing happened! I remembered The Glue Box and the happiness of making something just for the sake of making something. To my surprise, I found a measure of real joy, and in these difficult days of loss and family illness, it is all the rarer. It's a true treasure to find, and I am extremely grateful. In the future, I hope to do some more Spontaneous Stitching, and I highly recommend trying it!
Thanks very much to The San Francisco School of Needlework & Design (SFSNAD) and Kreinik for hosting the Stitch At Home Challenge and for opening it up to International stitchers like myself! I really enjoyed trying new techniques (the felt applique and ribbon ruching), new materials (Kreinik metallic threads) and expanding my stitchy horizons!
Helpful Articles About Kreinik Metallic Threads:
💠 From the Kreinik blog: How to Read a Kreinik Thread Label
💠 Nordic Needle's Stitching Guide on Kreinik Metallics has a brief overview of the history of metallic threads and the Kreinik Company, as well as stitched samples;
💠 Peacock & Fig has a wonderful article that demonstrates the difference between the Blending Filament and the Braids in great stitched samples;
💠 The Cross Stitch Review Blog has very detailed overview of the Blending Filament;
💠 Ancora Crafts has an in-depth Glow In The Dark Thread comparison, in which most of the contenders are Kreinik, as does the Freudian Stitch blog.
Have you ever tried indulging your whims and Spontaneously Stitching? Would you?!
Saturday, July 28, 2018
Finish: 🐝🌸 Bee Happy Brooch 🌸🐝
Love & Roses Vintage Brooch
Free Stamped Cross Stitch Kit
with Cross Stitcher magazine (UK), March 2018
Free Stamped Cross Stitch Kit
with Cross Stitcher magazine (UK), March 2018
I hope everyone is having a nice Summer, despite the heatwaves everywhere! It hasn't been that warm here compared to other places, but I'm not used to the heat and it's been challenging with temperatures of 30 degrees Celsius, plus Humidexes between 35-38 every day. Needless to say, I haven't been able to do much stitching!
This is Cross Stitcher, the UK magazine, from March 2018 which my Stitchy Guru Mother bought me as a little everyday cheer-up kind of gift, which are always fun to receive! The kit is the Love and Roses Vintage Brooch:
It is a Stamped Cross-Stitch motif with flowering branches, a bee, two ribbon roses and a little saying. My favourite part was that you could choose which phrase you wanted; the kit was shown with "Mum" but I chose the "Bee Happy" to go with the bee ❤🐝
For anyone who would rather stitch it regularly, a chart is included in the magazine.
The one thing that gave me trouble was the fabric. It is supposed to be "Shabby Chic", but to me too much fraying just looks plain shabby. So I added some iron-on interfacing (off the bolt from the local quilt store, Pellon brand) to the back of the piece and it really helped immensely, especially when it came to cutting out the little saying, the Made with Love piece for the back and trimming the edges. It cut down on the fabric puckering too, so I'd really recommend doing this before stitching your own kit, or anything like it!
Of course, I did make a few changes 😄 The thread given in the kit to stitch the bee was navy blue (?!), so I substituted DMC 3371 (Black Brown) for it. I also used 3 strands of floss instead of 2, to better cover the stamped blue lines, and I even had a little left over! I added a stitch to fill in the Lazy Daisy leaves, and the little blue French Knot flowers were on the chart, although not shown on the kit cover.
Finally, I switched the two white buttons out with two from my Grandma's button tin, a pink and a yellow and I'm very pleased with how they look! She's not sure where they came from, so there's no particular story attached, but I love that they have a family connection. I also added DMC 996 to attach the pinback and for the Buttonhole Stitch along the Made with Love tag on the back (3 strands) and the front edging (6 strands).
The motif was supposed to be stitched to the backing with Running Stitch, but the Buttonhole Stitch helped pull the fabric straight and covered up the cut edges, which frayed a little even with the added interfacing. I left the guidelines for the Running Stitch visible deliberately, as that turquoise matches the text on the labels and nothing else did. If I had thought about it, I would have worked the blue French Knot flowers in turquoise, but this didn't occur to me until after I had them stitched in!
My favourite part was the Ribbon Roses! Although the lengths of ribbon given could have been longer, this is such an easy and effective stitch and something I'd love to try more of in the future! All in all this was a fun little project, once I got past the frustration of the fabric, and I really enjoyed that it included some different stitchy techniques (Stamped Cross-Stitch, Embroidery and Ribbon Embroidery).
One thing I did learn - Stamped Cross-Stitch is not nearly as easy as I'd always thought it would be! My Grandma has a lovely cushion, four little birds for each of the Seasons, that she bought at a yard sale done in the technique. The work is even and fine except for a few wonky stitches, and those "mistakes" always bothered me.
Now I know that they are the norm, not the exception, and greatly respect how well the majority of the work was stitched! A lot of vintage kits were Stamped Cross-Stitch - dresser cloths, tea towels, doilies - and I always thought I'd like to try them. But it is extremely difficult getting both legs of the cross-stitch even, and fitting groups of cross-stitches together. I greatly prefer working on counted cloth, and it made me realize afresh what a miracle Aida cloth was when it was invented 😊💟
Have you ever try Stamped Cross-Stitch, or Ribbon Embroidery, or would you like to?
Thursday, May 5, 2016
Please Vote For Me in the UT Contest!
MOST WONDERFUL NEWS!!!
I made it to the Top 5 in the Hand Embroidery Category of the Urban Threads Coloring Contest! You probably already know Urban Threads (UT) as the designers of amazingly cool machine and hand embroidery patterns, and may remember their last Coloring Contest held 2013 with the Create theme.
Although I'm fairly new to embroidery, and this is my first time doing an embellished piece like this, when I saw the theme of this contest design - which is "Art is Craft" - I was very inspired by the sentiment and decided to try a version of my own.
I deliberately chose to use more "crafty supplies" - craft thread, buttons, beads and sequins - to enhance the message. All of them were inexpensive, and pretty common.
The two satin butterfly appliques and the fanciful peacock-inspired Feather were added to symbolize Creativity, and the idea of "Letting your imagination soar!"
The coloring method I used was Crayon Tinting (learned from this tutorial with a very cute pair of pears on the UT site), and the outline was entirely hand-stitched using a variety of stitches, and heavily embellished with beads and sparkle :)
There are two categories in the contest, the first is Machine Embroidery which has 10 Finalists and Hand Embroidery, my category, which has 5 Finalists. I'm so thrilled to be considered as a Finalist, and I would really love to win the amazing prize pack.
Please - pretty pretty please! - consider visiting the contest and voting, as there is so much talent on display and all the interpretations are very different!
To see all the entries and to vote, please visit this page:
Voting is open to everyone and takes only seconds - and you do not need to sign-up or enter any personal information! The winners will be chosen entirely by popular vote, so I'd really appreciate your help :)
Voting closes May 10 at Noon, Central Time
As a stitcher, I always enjoy learning more about the maker's creative process and reading about how a project develops! So I'd like to share some more information about my entry, including materials and stitches. First, here's some detailed photos:
Here's a view from the side to show the dimension the beads add to the design
Here is a close-up of the fanciful Feather, filled with beads and sequins and an acrylic heart gem, which is super sparkly! This ended up being one of my favourite parts :)
And this is a collage showing my stitching progress, from Crayon Tinting to Stitching to the start of Beading to the Final Embellishment. I learned so much along the way!
This project has been a marvelous experience for me, and it wasn't easy. I had to totally rethink my approach several times. I started off with the idea to invert the design colors and stitch a white outline on black fabric, and color it with sequins, but that didn't work out. It's so hard to transfer an embroidery design onto dark fabric!
So by necessity I needed a light fabric to trace the design on, which finally lead me to using a basic white polycotton. Because it was a little thin, after tracing I backed it with iron-on interfacing from Pellon. This made it sturdy enough to stitch on!
After pondering many different ideas on how to add color, and nearly giving up all together a few times, I remembered Crayon Tinting and looked up some tutorials online. In addition to the UT tutorial, which was my main inspiration, I found some others at Wild Olive, Little Dear Tracks, Pimp Stitch and A Girl In Paradise. All the tutorials say that you should use light pressure, so you can build up the color, and short strokes to keep it even, and there is an interesting video showing this here.
There is also an alternate White Background or Foundation method developed by Crabapple Hill Studio for quilts with embroidered blocks, which is illustrated in photo tutorials at Blueberry Backroads and Sew Mod. A video for this is here.
Both methods use a hot, dry iron to set the wax, which then seeps into the cloth. It is semi-permanent, and so Crayon Tinting is not recommended for washable items.
Here are some testers I made: White Background at top, Just Color at bottom
After Ironing: White Background on left, Just Color on right
As you can see, I found that the White Background method did not work for me. The white wax seemed to saturate the fabric, making it difficult to color over and leaving streaks, and when it was ironed, the coloured wax bled badly outside the lines and made the fabric very stiff. It also faded the color and made it look blotchy.
So I recommend coloring directly on the fabric, though coverage will depend on the materials you are using so doing quick testers like these might be a good idea. The one thing everyone seems to agree upon is the superiority of Crayola Crayons.
So I dug out my trusty old 64-pack tin; I was gifted this new in 1993! I collect tins, and I've always loved this one. It's been years since I've done anything with crayons, but the smell of the wax immediately took me back to my childhood :)
After some scribbles on scrap fabric, I chose some colors to match my thread:
I used Loops & Threads Craft Thread (the Michaels Brand), which is like a coarse version of Perle (Pearl) Cotton. I loved the fun, bright, vibrant colours and they were easy to work with with! In the end, I didn't use the Lavender in the photo above but added a Dark Green J. P. Coats Craft Thread, so I used 12 different colours in all.
The seedbeads I used to outline the letters - which was done by mostly by Couching - are inexpensive large "E" glass beads, with a pretty transparent AB (Aurora Borealis) finish. As you can see, I actually bought them at the dollar store :) I used all of the colors (7 total) except the gold at the bottom right.
Close-Up of Buttonhole Wheel (Yellow) Flower Center
Hand Embroidery Stitches Used Include:
1. Back Stitch
2. Stem Stitch
3. Long Stitch
4. French Knots
5. Blanket Stitch
6. Buttonhole Wheel
7. Detached Fly Stitch
8. Chain Stitch
9. Heavy Chain Stitch (used on the Feather outline, learned for this project)
10. Scalloped Buttonhole Picot Trim (also learned from this project, variation of this trim by Mary Corbet worked over Back Stitch instead of Chain Stitch)
11. Cross-Stitch (used to sew on the buttons)
12. Couching (the majority of the beading)
Close-up of Scalloped Buttonhole Picot Trim Flower Petals
Finally, after the stitching and beading was finished, and I had filled in the fanciful Feather with sequins secured with smaller coordinating seedbeads and bugle beads, I added some embellishments. I used three colors of basic shirt buttons as accents.
Then, a serendipitous thing happened: while sifting through the tin where I keep my sequins and fancy trims, a little bag of puffy satin butterfly appliques fell out! And I suddenly remembered buying these appliques many years ago when I was about eight years on, a trip to Florida to visit my Grandparents.
Butterflies have always symbolized creativity to me, and when two of the appliques just happened to match perfectly, I just couldn't resist adding them!
To sew them on, I used coordinating Craft Thread and took Long Stitches over the wing joins and then made antennae using Long Stitches and French Knots! I hope they bring me a little luck in the Contest :)
So there you have it! My Craft Is Art embroidery from start to finish. Overall, the best thing about this project is that once it got going, it was FUN. Working with the bright colors of the crayons and the chunky threads all brought me back to the many very happy hours I spent coloring and crafting when I was a child ;)
I know Adult Coloring is a huge trend right now, and I even bought a book to try, but I don't think it's for me. But this method of "coloring" embroidery with threads and embellishments is something I can get behind, and I may try it again in the future!
Please consider voting for me!
I would greatly appreciate your support :)
If you have any questions about my entry, feel free to ask away in the comments! What do you think about Crayon Tinted Embroidery - would you try it?
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